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Full Tilt
A wide, horizontal composition that moves like music — bold fields of cobalt blue, lime green, golden yellow, and burnt orange shift and interlock across the canvas with the confident energy of something in full motion. The palette is unambiguous and joyful, every color at its most saturated, none of them hedging.
A fluid blue figure-form arcs across the upper center, its contour loose and gestural against the yellow ground — the most figurative moment in an otherwise abstract field, suggesting a body mid-leap or a river finding its course. Three small circles — one deep blue, one yellow, one teal — punctuate the composition like musical notes or punctuation marks, each one landing exactly where the eye needs a resting point before moving on.
The lower half is organized around a spiraling green and blue eye-like form on the left, its concentric rings the one moment of inward focus in a composition that otherwise pushes outward in every direction.
A wide, horizontal composition that moves like music — bold fields of cobalt blue, lime green, golden yellow, and burnt orange shift and interlock across the canvas with the confident energy of something in full motion. The palette is unambiguous and joyful, every color at its most saturated, none of them hedging.
A fluid blue figure-form arcs across the upper center, its contour loose and gestural against the yellow ground — the most figurative moment in an otherwise abstract field, suggesting a body mid-leap or a river finding its course. Three small circles — one deep blue, one yellow, one teal — punctuate the composition like musical notes or punctuation marks, each one landing exactly where the eye needs a resting point before moving on.
The lower half is organized around a spiraling green and blue eye-like form on the left, its concentric rings the one moment of inward focus in a composition that otherwise pushes outward in every direction.
