A golden, angular figure strides across bands of red, teal, and confetti-flecked blue, its head crowned by concentric rings of red, blue, and green — part halo, part target, part sun. Loose clusters of colored circles hover at the edges like scattered beads or firecracker smoke, refusing to resolve into any single shape. Carnival Deity reads as ecstatic and unstable at once: a figure caught mid-motion, celebration and chaos rendered in the same breath. Built from the same bold, primary-color energy as festival banners and parade masks, it asks what it looks like when joy tips into something larger than the person holding it.
A golden, angular figure strides across bands of red, teal, and confetti-flecked blue, its head crowned by concentric rings of red, blue, and green — part halo, part target, part sun. Loose clusters of colored circles hover at the edges like scattered beads or firecracker smoke, refusing to resolve into any single shape. Carnival Deity reads as ecstatic and unstable at once: a figure caught mid-motion, celebration and chaos rendered in the same breath. Built from the same bold, primary-color energy as festival banners and parade masks, it asks what it looks like when joy tips into something larger than the person holding it.
